IDEAS / THOUGHTS
SHOTS & SCENES
As I looked back at what I have learnt during previous media lessons. I came across the shape theory and how the tv show "DEXTER" used this theory to create such a dramatically violent opening from an everyday morning routine. This gave me the thought of applying this shape theory to our film opening.
In this case, we would film close ups of the boy's hand making his imaginary friend out of natural resources, but each scene will consist of violent/vigorous actions which may portray the craziness of his mind. However these actions are very typical.
HOW?
In order to make these simple actions of putting together the friend look vigorous, we can use sharp shapes for instant triangles or angular shapes (these may be: sharp twigs/ twigs with spikes/ apex of a leaf etc). But in the end, these are just harmless natural resources.
SHOTS & SCENES
As I looked back at what I have learnt during previous media lessons. I came across the shape theory and how the tv show "DEXTER" used this theory to create such a dramatically violent opening from an everyday morning routine. This gave me the thought of applying this shape theory to our film opening.
In this case, we would film close ups of the boy's hand making his imaginary friend out of natural resources, but each scene will consist of violent/vigorous actions which may portray the craziness of his mind. However these actions are very typical.
HOW?
In order to make these simple actions of putting together the friend look vigorous, we can use sharp shapes for instant triangles or angular shapes (these may be: sharp twigs/ twigs with spikes/ apex of a leaf etc). But in the end, these are just harmless natural resources.
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